Monday, 25 April 2016

MTL ~ Module 3 ~ Planning

AITSL Teaching Standard 3

Plan for and implement effective teaching and learning

3.1 Establish challenging learning goals

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Set learning goals that provide achievable challenges for students of varying abilities and characteristics.Set explicit, challenging and achievable learning goals for all students.Develop a culture of high expectations for all students by modelling and setting challenging learning goals.Demonstrate exemplary practice and high expectations and lead colleagues to encourage students to pursue challenging goals in all aspects of their education.

3.2 Plan, structure and sequence learning programs

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Plan lesson sequences using knowledge of student learning, content and effective teaching strategies.

Plan and implement well-structured learning and teaching programs or lesson sequences that engage students and promote learning.

Work with colleagues to plan, evaluate and modify learning and teaching programs to create productive learning environments that engage all students.

Exhibit exemplary practice and lead colleagues to plan, implement and review the effectiveness of their learning and teaching programs to develop students’ knowledge, understanding and skills.

3.3 Use teaching strategies

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Include a range of teaching strategies.Select and use relevant teaching strategies to develop knowledge, skills, problem solving and critical and creative thinking.Support colleagues to select and apply effective teaching strategies to develop knowledge, skills, problem solving and critical and creative thinking.Work with colleagues to review, modify and expand their repertoire of teaching strategies to enable students to use knowledge, skills, problem solving and critical and creative thinking.

3.4 Select and use resources

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Demonstrate knowledge of a range of resources, including ICT, that engage students in their learning.Select and/or create and use a range of resources, including ICT, to engage students in their learning.Assist colleagues to create, select and use a wide range of resources, including ICT, to engage students in their learning.Model exemplary skills and lead colleagues in selecting, creating and evaluating resources, including ICT, for application by teachers within or beyond the school.

3.5 Use effective classroom communication

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Demonstrate a range of verbal and non-verbal communication strategies to support student engagement.
Use effective verbal and non-verbal communication strategies to support student understanding, participation, engagement and achievement.Assist colleagues to select a wide range of verbal and non-verbal communication strategies to support students’ understanding, engagement and achievement.
Demonstrate and lead by example inclusive verbal and non-verbal communication using collaborative strategies and contextual knowledge to support students’ understanding, engagement and achievement.

3.6 Evaluate and improve teaching programs

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Demonstrate broad knowledge of strategies that can be used to evaluate teaching programs to improve student learning.
Evaluate personal teaching and learning programs using evidence, including feedback from students and student assessment data, to inform planning.Work with colleagues to review current teaching and learning programs using student feedback, student assessment data, knowledge of curriculum and workplace practices.Conduct regular reviews of teaching and learning programs using multiple sources of evidence including: student assessment data, curriculum documents, teaching practices and feedback from parents/ carers, students and colleagues.

3.7 Engage parents/ carers in the educative process

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Describe a broad range of strategies for involving parents/carers in the educative process.
Plan for appropriate and contextually relevant opportunities for parents/ carers to be involved in their children’s learning.Work with colleagues to provide appropriate and contextually relevant opportunities for parents/carers to be involved in their children’s learning.Initiate contextually relevant processes to establish programs that involve parents/carers in the education of their children and broader school priorities and activities.



AusVELS Curriculum Planning - BY UNIT/LESSONS

Document contains headings of:
  • Grade Level;
  • Time Allocation (4 weeks, 12x48 minute sessions);
  • Essential Question;
  • Achievement Standard;
  • Content Description (by curriculum areas);
  • Lesson Sequence:
    • Session;
    • Focus;
    • What will students know and be able to do?
    • What are the main learning areas?
    • What are the assessment Tasks?

NSW BOSTES Advice on Units

Elements of a unit include:
  • Unit description;
  • Syllabus outcomes;
  • Duration;
  • Stage or year;
  • Range of relevant syllabus content;
  • Integrated teaching, learning and assessment activities;
  • Subject-specific requirements;  
  • Resources;
  • Reflection and evaluation;
  • Adjustments for students with special education needs, where appropriate.


What is UbD?


Understanding by design:

  • Stage 1 - Desired Results:
    • Established goals:
      • Curriculum outcomes;
    • What understandings / big ideas will students 'take home';
      • What predictable misunderstandings could occur?
    • Essential questions:
      • what provocative questions will promote inquiry? Understanding? Transfer of learning? Guide inquiry into the big ideas?
    • Students will know...
    • Students will be able to...
  • Stage 2 - Assessment Evidence:
    • Performance tasks;
    • Other evidence that must be collected to evaluate the achivement of outcomes defined in Stage 1.
    • In planning these, consider the understandings, knowledge and skills identified as desired outcomes in Stage 1.
    • Identify relevant criteria and use them to create assessment rubrics.
  • Stage 3 - Learning Pan;
    • Learning activities:
      • Consider methods of generating engagement;
      • Use diagnostic and formative assessments to monitor student progress with desired outcomes;
      • Consider what needs to be "uncovered" as opposed to covered;
      • Sequencing;
      • Test plan against desired outcomes for stages 1 & 2;
      • When should I teach, when should I coach, when should I facilitate student discovery?
      • What do students need in order to become independently capable with the work and integrated with the desired outcomes?
      • How can activities be extended for competent students? Scaffolded for those needing additional support?

Blended Learning:

  • Combination of digital content and activity with face to face content and activity;
  • Understanding what works for your subject area and your kids;
  • Differentiated instruction within the classroom;
  • Allows for one-on-one or small group teacher assistance while remainder of class works with digital content;
  • "Whay would it look like in my class?" supplemental? 
  • Teacher podcasts allow easy repetition of instruction;
  • Not all online, a lot of the most important stuff is still face-to-face;
  • Different ways for different kids to "get it";
  • http://www.edutopia.org/blended-learning-resources

Flipped classroom:


Collaborative Learning:

  • More than just "group work";
  • Recognition of knowledge as a social construct;
  • Can deepen engagement and understanding;
  • Math work in groups, ask each other questions, try to puzzle it out together, before asking teacher;
  • Round table discussions of books/texts deepens/broadens understanding;
  • Individual master content;
  • Collaborative allows empowers cultivation of resilience, neighbor as resource, test own theories, how do you know if you're on the right track or the wrong track;
  • Classwork problems much harder/meatier than homework problems, so that students have to band together;
  • Talk to each other about the problem before pen touches paper;
  • Outside challenges, 'next step' in teamwork;
  • Safe place to take risks - build expectations of respect by developing group/student values;
  • Guidelines for how sessions will play out, teacher's role, student roles (eg/ scribe, moderator, conversation 'web' charter) expectations that everyone has an opportunity to contribute;
  • Discussion based, community values;
  • Social Constructionism Article: http://groundedtheoryreview.com/2012/06/01/what-is-social-constructionism/

Will these types of lessons have a place in your teaching practice? Explain your response.

I feel that both collaborative learning and some use of blended learning in 'Flipped' models both work quite well for me as classroom models. I think they allow students to make the most of the social aspect of learning, increasing the value of coming together in a class context. I am not such a big fan of blended learning within the classroom as it would seem to build separations within the group and may cause certain students to have an increased sense of isolation within social contexts.





MTL ~ Module 2 ~ Curriculum

Australian Curriculum

Australian Curriculum - Arts Intro Page: http://www.australiancurriculum.edu.au/the-arts/introduction
Australian Curriculum - Visual Arts Curriculum: http://www.australiancurriculum.edu.au/the-arts/visual-arts/curriculum/f-10?layout=1
ACARA Arts Curriculum Area: http://www.acara.edu.au/curriculum_1/learning_areas/arts.html
ACARA Cross Curricular Priorities: http://www.acara.edu.au/curriculum/cross_curriculum_priorities.html
ACARA General Capabilities: http://www.acara.edu.au/curriculum/general_capabilities.html
SEA Curriculum Page: http://www.steinereducation.edu.au/curriculum/steiner-curriculum/
SEA Visual Arts Curriculum Document: http://www.steinereducation.edu.au/wp-content/uploads/ascf_arts_visual_arts_curriculum_k_to_10_apr_2015.pdf


What are the three most outstanding things you have learnt from your exploration of the Australian Curriculum?
  • I find it disapointing that there seems to be no standardised curriculum for Arts / Visual Arts in the Senior Secondary years, despite the fact that the Shape of the Australian Curriculum: The Arts document (ACARA 2011) states that "it is intended to guide the writing of the Australian Arts Curriculum from Foundation to Year 12" (p.2). It is possible that this is due to the tendency to take senior secondary arts study as portfolio building for individual artists, yet it also has the feel of relegating the arts to an area of study not worthy of investing serious consideration into in for the senior years, building on cultural beliefs that visual arts are only something worth pursuing if you are already/naturally talented, and "won't get you anywhere" in life;
  • The field of visual arts is seen as a vauable channel through which to explore and come to an understanding of various cultures: historically and contemporatily, locally as well as throughout the world). This gives great depth and bredth to the study of art, giving layers of context and meaning for students to explore in their creation of and responding to artistic endeavors;
  • Visual Arts is a field in which cross-curricular possibilities are extensive, given the opportunity to do so, artistic exploration of other subject areas can significantly depen and extend learning. This is not really made evident in the curriculum documents, though I suppose it may be quite specific to student context, concurrent learning areas and the specific pedagogy of the educational institution.

ACARA Website 'The Arts'

  • Covers the markedly different domains of:
    • Drama;
    • Dance;
    • Media Arts;
    • Music;
    • Visual Arts.
  • Clear F-10 framework, none for 11-12 despite stated intentions to include this level;
  • Many stakeholders involved in generating the curriculum document as it currently stands;
  • Operating out of the position that all Australian Students are entitled to exposure to and experience with all 5 domains of artistic persuit;
  • Recognition of significant school-based independence of scope in the arts, and the various skillsets that are unique to different modalities;
  • Emphasis on making and responding;
  • Exploration of artworks covering:
    • Meaning;
    • Form;
    • Social context;
    • Cultural context;
    • Historical perspecitves;
    • Philisophies & ideologies;
    • Critical theories;
    • Institutional factors;
    • Psychology;
    • Evaluations of 'success'.
  • Direct engagement;
  • Skill building;
  • Identity forming;
  • Explorations of media;
  • Understandings of conventional codes, practices and theories;
  • Developing intention;
  • Engagement with increasingly abstract ideas to influence creativity;
  • Participation in the process of presenting, displaying, exhibiting artistic works;
  • Concept of play-based learning as being integrated with / integral to artisitc endeavour;
  • Specific cultural considerations to local cultural and historical contexts, particularly locally relevant Australian Aboriginal cultural considerations.

Victorian Curriculum Documents

What are some of the considerations you need to keep in mind when designing lessons for students in Years 9 - 10? You should comment on general capabilities, cross-curriculum priorities and diversity of learners. You might like to add a glossary for any terminology you are not familiar with.
  • Artworks as communication, expressing and challenging ideas;
  • Developing perceptual and conceptual understandings;
  • Expanding understanding of their own world, other experiences of the world and the bigger world picture;
  • Building theorhetical knowledge base;
  • Building skills base - materials, techniques, technologies, practices, processes;
  • Encouraging expression of meaning;
  • Taking students on a jouney - of discovery, experimentation and problem solving;
  • Support in development of personal aesthetic;
  • Support in development of understanding - personal, cultural, historical, global.
  • Building/inculturating respect, confidence, curiosity, imagination, enjoyment.

Make a note, with short explanatory notes, in your learning journal about the types of information that are available to guide you in your teaching. 
Not all curriculum areas are structured in exactly the same way, but you should include rationale, aims, structure, concepts, scope and sequence. Include any other information you think is important. 

Support Resources:

Rationale and aims:

http://victoriancurriculum.vcaa.vic.edu.au/the-arts/visual-arts/curriculum/f-10#level=9-10

" Levels 9 and 10 Description

In Levels 9 and 10, students build on their awareness of how and why artists, craftspeople and designers realise their ideas through different visual arts practices. They refine their personal aesthetic...
Show more

Levels 9 and 10 Content Descriptions
Explore and Express Ideas
Explore the visual arts practices and styles as inspiration to develop a personal style, explore, express ideas, concepts and themes in art works(VCAVAE040)
Explore how artists manipulate materials, techniques, technologies and processes to develop and express their intentions in art works (VCAVAE041)

Visual Arts Practices
Select and manipulate materials, techniques, and technologies and processes in a range of art forms to express ideas, concepts and themes (VCAVAV042)
Conceptualise, plan and design art works that express ideas, concepts and artistic intentions(VCAVAV043)

Present and Perform
Create, present, analyse and evaluate displays of artwork considering how ideas can be conveyed to an audience (VCAVAP044)

Respond and Interpret
Analyse and interpret artworks to explore the different forms of expression, intentions and viewpoints of artists and how they are viewed by audiences(VCAVAR045)
Analyse, interpret and evaluate a range of visual artworks from different cultures, historical and contemporary contexts to explore differing viewpoints(VCAVAR046)

Levels 9 and 10 Achievement Standard
By the end of Level 10, students analyse and evaluate how artists communicate ideas and convey meaning in artworks.

Students identify the influences of other artists and analyse connections between techniques, processes and visual conventions in artworks to develop their own art practice. They select, and manipulate materials, techniques, processes, visual conventions and technologies to express ideas and viewpoints in their artworks.

Students analyse and evaluate artworks and exhibitions from different cultures, times and places, and discuss how ideas and beliefs are interpreted by audiences.
"




Victorian Curriculum F – 10 Curriculum planning, assessment and reporting

"Does the teaching and learning program for each learning area and capability:
  • provide an overview of the overarching concepts/ideas to be developed across the years of schooling?
  • outline the contexts/topics that will be used for the development of the knowledge and skills?
  • outline the sequencing of the key knowledge?
  • outline the sequencing of the key skills?
  • include the achievement standards?
  • include the approximate time allocations for contexts/topics?"

"Does the unit plan/sequence of lessons:
  • specify the content descriptions addressed in each unit/sequence of lessons?
  • specify the achievement standards addressed for each unit/sequence of lessons?
  • include the resources and activities used to develop knowledge and skills?
  • provide for a range of student abilities?
  • specify the assessments used to monitor and progress student learning?
  • provide guidance about the approximate time required for the unit/sequence of lessons?"

VCE Art Curriculum, Assessment, Support and Resources:

Victorian Certificate of Applied Learning, 'VCAL':
  • Increased hands-on content, work and life skills;
  • alongside literacy and numeracy;
  • continued personal development;
  • available through approved schools;
  • paralell/alternative qualification to VCE.

Vocational Education and Training 'VET':
  • Option for VCE/VCAL in alternate setting;
  • Enables Secondary completion alongside undertaking VET training certificates;
  • Increased industry and workplace integration.


LPP Module 4

Summarise:
Erkison's Theory of Psychosocial Development:
  • How people grow and develop as individuals;
  • 8 stages 'crises' of psychosocial development;
    • Trust/Mistrust (Infancy);
    • Autonomy/Shame (Toddlerhood);
    • Initiative/Guilt (Pre-school);
    • Industry/Inferiority (Primary Years);
    • Identity/Role Confusion (Adolescence);
    • Intimacy/Isolation (Young Adulthood);
    • Generativity/Stagnation (Middle Years);
    • Integrity/Despair (Retirement Years).
  • Each crisis does not need to be fully positively resolved before the next begins;
  • People advance when they have developed more of the positive than the negative tendency;
  • Stages without positive resolution can be revisieted and resolved later;
  • Qualitatively different concerns about the self;
  • Positive outcomes of Erikson's theory include recognition of:
    • Lifelong development;
    • Dynamic syntheses of nature, nurture, and the individual's motivation;
    • Optimistic view of development
  • Criticisms include:
    • Largely anecdotal research;
    • Identity rarely fully formed by the end of adolescence;
    • Gender differences not accounted for;
    • Underestimated cultural influence.

Characteristics of children's attachment security:
  • Securely Attached:
    • Will use attachment figure(s) as safe haven and as base of exploration;
    • Will protest when attachment figure separates;
    • Will greet the attachment figure with smiles and by moving towards them when reunited;
    • Initial wariness of strangers;
    • Need support at transitions;
    • Need consistent primary caregiver while away from attachment figure, will often develop secure attachment to this primary caregiver;
    • Maintain communication and consistency between home and care facility.
  • Insecure-aviodant Attachment:
    • May not notice if attachment figure leaves;
    • Indifference to attachment figure's return, may avert gaze;
    • Engage superficially with toys and environment;
    • Discomfort around strangers without seeking comfort of caregiver;
    • Seek to engage child with play;
    • Build affectionate relationships.
  • Insecure-Resistant Attachment:
    • Clingyness to attachment figure and anxiety;
    • Distress upon attachment figure's departure;
    • Continued distress after attachment figure's return, anger;
    • Fear of strangers;
    • Provide consistent primary caregiver to develop secure attachment with;
    • Provide extra time and support during handover transitions;
    • Comfort objects may be of use;
    • Patience, understanding, reasurance, consistency.
  • Disorganised/Disoriented Attachment:
    • Inconsistent responses to stressful events, apparent contentment followed by fear or anger responses;
    • Unpredictable emotions;
    • Cautious approaches to attachment figures;
    • Failure to seek out caregiver when upset;
    • Indiscriminately friendly between unknown adults and family members;
    • Excessive concern for attachment figure / role reversal;
    • Reckless exploration without regard for attachment figure as secure base;
    • Provide consistent primary caregiver to develop secure attachment with;
    • Work hard to establish positive, warm, trusting relationships;
    • Pay close attention, closely monitor for signs of abuse;
    • Seek help from support agencies if necessary.

Personal development characteristics of adolescents:
  • Frequent fluctuations in mood;
  • Careful regulations of emotion;
  • Variation in conformation to cultural and gender roles;
  • Seeking emotional intimacy with peers;
  • Seeking comfort from peers in timmes of emotional distress;
  • Privacy toward connecitons to parents/family;
  • Can experience significant conflict in family settings;
  • Can experiment with / rely on drugs and alcohol as a coping mechanism;
  • Particularly girls may excessively ruminate over small disapointments;
  • Particularly boys may hide their emotions under false ones;
  • Listen authentically;
  • Help provide perspective on family conflicts;
  • Be alert for students showing signs of depression/suicide and provide support including referring to counsellors.

Support strategies for classroom teachers to promote positive social emotional development:
  • Show an interest in students' persuits and wellbeing;
  • Teach social skills;
  • Provide structure/scaffolding for students with high anxiety;
  • Set reasonable limits for acceptable behaviour, establish rules and consequences and follow up;
  • Give a sense of control/autonomy, provide reasonable choices;
  • Communicate with parents/family regarding students' needs;
  • Be alert for signs of depression/suicide:
    • pervasive sadness, helplessness;
    • sudden withdrawal from peers and caregivers;
    • disregard for personal appearnace/hygeine;
    • serious health problems;
    • dramatic personality change;
    • sudden elevation in mood;
    • preoccupation with death/morbid themes;
    • overt or veiled threats;
    • actions that indicate putting one's affairs in order;
    • serious problems at home, school or in the community;
    • substance abuse;
    • efforts to obtain suicidal means.


Summarise:
The four ways parents help children to develop emotional intelligence:
  • Help children identify their emotions;
  • Help children learn to find calm in times of distress;
  • Help children learn to read other people's emotions;
  • Help children learn to predict the actions/responses of others in given situations.

The link between emotional intelligence and academic achievement:
  • EQ strongly linked to academic performance;
  • High EQ helps youth manage complexities and pressures that would otherwise derail them;
  • Students with higher EQs are less likely to have isses with school attendance or drop out of high school;
  • Students who persist with further education show significantly higher EQs;
  • Students who persist in educational contexts are more likely to result in:
    • Higher socio-economic status;
    • Lower levels of criminality and incarceration.

The link between emotional intelligence and behaviour:
  • Higher EQ appears to equate to:
    • Greater interpersonal competency;
    • Greater adaptability;
    • Better stress management;
    • Less aggressive behaviour;
    • Increased social acceptedness;
    • Increased cooperation;
    • Increased leadership skills;
    • Less disruptive & destructive behaviours;
    • Lower use of alcohol and other drugs;
    • Lower anxiety levels;
    • Greater overall health;
    • Greater overall contentedness/success in life persuits;
    • Helps teens make more complex, sophisticated, pro-social decisions.


Define sense of self. What are the differences between self concept, self worth/esteem and self efficacy?
  • Self Concept:
    • Ideas/beliefs about the self;
    • 'Who am I as a person?'
  • Self Esteem:
    • How much we love ourselves;
    • 'How good am I as a person?';
    • How valuable am I as an individual.
  • Self Efficacy:
    • How good we feel we are at certain endeavours, how effective;
    • 'How effective am I? How good am I at ... ?'

Why is sense of self important?
  • Enables students to:
    • understand themselves;
    • understand themselves in relation to others;
    • envision various future versions fo themselves;
    • set goals for the future and work towards them;
    • find a comfortable niche/place in the world where they feel capable, cared for and connected;

  • Children tend to behave in ways that mirror their self-perceptions:
    • Thus these self-percetions are compounded by children's actions;
    • This can lead to positive or negative outcomes depending on the beliefs that the child is operating out of.

What factors influence sense of self?
  • Past behaviours and performances;
  • Influence of adults within the child's life ascribing to them certain characteristics which the child accepts as truth;
  • Nurture and affection from caregivers;
  • Parents accepting children as they are - celebrating abilities and taking inabilities in their stride;
  • Educator high yet achievable expectations and support to reach goals;
  • Peer group acceptance;
  • Comparisons with peers;
  • Positive group/club social experiences & achievements;
  • Biology.

Outline the three levels and six stages of Kohlberg's moral reasoning:
  • Preconventional:
    • Children have not yet internalised conventions of right and wrong;
    • Preschool, most primary, some early secondary, few later years students;
    • Level 1 - Decisions based on self-interest without regard for others, punishment aviodance and obedience;
    • Level 2 - Decisions based on exchange of favor / recognition of the needs of others gaining assertion that their own needs may be met, 
  • Conventional:
    • Acceptance of society's notions of right and wrong;
    • Few older primary, some lower secondary, many later years students;
    • Level 3 - Decisions based on pleasing others, especially authority figures;
    • Level 4 - Look to society's rules on law and order to define right and wrong, inflexible.
  • Postconventional:
    • Own sense of personal morality, of which society's standards may play a somewhat flexible part;
    • Rarely seen before university, extremely rare even in adult populations (?);
    • Stage 5 - Social contracts, agreements within groups to maintain order and protect rights, recognise flexibility in rules/laws to suit needs of the people that they serve;
    • Stage 6 - Adherance to abstract universal principles, strong inner conscience, willing to disobey laws that contradict their ethical principles.

What are some of the limitations of Kohlberg's work?
  • Included both moral issues and social conventions, while children view these issues separately;
  • Overlooked helping and showing compassion;
  • emphasised cognition over emotional influence;
  • Emphasised introspective processes failing to take into consideration influence of parents and significant adults in the moral reasoning of children;
  • Overlooked situational factors such as "white lies";
  • About how children think morally, not about if they will act morally (though the two are intertwined).

How does Kohlberg's thinking differ from that of Piaget?
  • Piaget defined two broad stages in moral development:
    • Heternormous - rules as permanent and requiring strict obedience, authority outside themselves, define good/bad actions according to percieved consequences;
    • Autonomous moral thinking - ability to see self and others as moral actors and see moral decisiona as embeded in social environments.
How is cognitive development linked to moral development?
  • Advanced moral reasoning required reflective capacities regarding the consequences and experiences for the self and others which are only available if the child has developed these advanced (abstract) cognitive abilities;
  • Cognitive development does not however guarantee moral development, moral reasoning may still take place at a preconventional level;

How can teachers support their students' moral development?
  • Clarification of acceptable, non-acceptable and conditionally acceptable behaviours;
  • Including discussions of WHY in disciplinary actions or when introducing rules;
  • Encourage children to make amends for misdeeds;
  • Engaging students in discussions on moral issues, relates to social context &/or subject matter;
  • Addressing moral questions/issues from various viewpoints;
  • Challenging reasoning with slightly more advanced reasoning, using Kohlberg's stages to identify levels to operate from;
  • Community service - working towards moral causes and projects of community benefit;
  • 'Fostering a climate of tolerance' RESPECT for differences.